'Conceptual Art' that dominates the world is locked substantially into the realm of thinking which is why we are required to learn about the individual particularity of the artist and her ideas. Conceptual art by its own definition has moved substantially into the cerebral realm, and minimised the experiential dimensions of the works. In 1941, the architectural historian Sigfried Giedion, discussed a split which he perceived to have opened up between society's thinking and feeling; a split which he described as being one of the illnesses of our age.